If you know the minor scale, the root of the relative major is always the third note of the minor scale.ДЇor example, вЂњFвЂќ is the third note of the D minor scale (D, E, F, G, A, Bb, C). Finding the Relative Major from a Minor Scale E natural minor is the relative minor of G major. The root of the relative minor is always the sixth note of the major scale.ДЇor example, вЂњEвЂќ is the sixth note of the G major scale (G, A, B, C, D, E, F#). Finding the Relative Minor from a Major Scale So, knowing the scale relations will really simplify memorizing a lot of essential stuff, and help you understand keys, chord progressions and songs better. YouвЂ™ll also see that many songs bounce back and forth between the major key and its relative minor or vice versa. Not only are the notes the same between relative scales, but so are the diatonic chords. TheyвЂ™re the same set of notes and have the same key signature. If youвЂ™ve studied the circle of fifths in the harmony section, youвЂ™ll notice the relative minor scales listed right beneath the major scales. You only have to memorize 12 scales to know all 24 keys used in music. The main reason to know the relation between major and minor scales is it makes memorizing a lot of essential things in music easier. Why Is It Useful to Know Relative Major and Minor Scales? There are lots of ways to play the same group of notes across the fretboard. Notice how I emphasize the ninth, F#, with some of the bends, for an expressive effect.Don't let different fingerings for the same set of notes confuse you. Inspired by David Gilmour, FIGURE 5 is a wailing, legato lead phrase that includes half- and whole-step bends, hammer-ons, pull-offs and finger slides, as well as a fret-hand-muted string rake at the beginning and some reinforced bend vibratos. Practice this run slowly at first, gradually building up speed, then try playing it in different places on the neck and using its string-crossing patterns as the basis for your own similarly structured licks across various string groups and in different keys, such as A minor or D minor. One nice thing about the minor hexatonic scale (or any other hexatonic scale, for that matter) is the fact that it is comprised of an even number of notes-six, as opposed to five or seven-which lends it a rhythmically balanced quality that makes it ideally suited for crafting phrases of even sextuplets or 16th notes, such as the rolling-16ths alternate picking run in FIGURE 4. As you run through these shapes, you will no doubt find that some are a little more finger- or pick-friendly and useful than others, or that just a portion of a particular pattern is useful across a select group of strings. You now have two convenient templates for creating two- or three-guitar harmony lead lines in the key of E minor! пїјпїјпїјпїјпїјпїјпїјпїјпїјпїјпїјпїјпїјпїјпїјпїјпїјпїјпїјпїјпїјпїјAn alternative way to think of E minor hexatonic is E minor pentatonic (E G A B D) with the second, or ninth (F#), added.ДЇIGURE 3 illustrates a bunch of fingering patterns for E minor hexatonic across all six strings in a variety of positions, most of which are based on the standard E minor pentatonic вЂњboxвЂќ patterns, with F# notes added. Do the same things advised above for FIGURE 1. As an additional resource, FIGURE 2 shows these two triads inverted up then neck on the D, G and B strings. Then, try pairing any two of the three strings to hear some sweetly sad two-part harmonies. To hear the scale as single notes, play only the high E string notes, or those on the B or G string only.

E minor scale